Wednesday, December 1, 2010

Fadda JJ challenges the Gracies

Another article about Oswaldo Fadda, a contemporary of the Gracie brothers.

link:
http://www.bjjheroes.com/bjj-fighters/oswaldo-fadda-facts-and-bio

Oswaldo Fadda (15th of January 1921 until 1st of April 2005) was one of the greatest figures in Jiu Jitsu History. Not comming from a Gracie lineage, Fadda reached the “nono grau” (9th Dan) – Red Belt in BJJ, the greatest honour a non Gracie can ever achieve, he was also the first instructor to take Jiu Jitsu to the poor(er) comunities living in the outskirts of Rio de Janeiro were only the rich practiced the sport.
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Full Name: Oswaldo Baptista Fadda
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Oswaldo Fadda’s Lineage: Mitsuyo Maeda > Luis França > Oswaldo Fadda
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Oswaldo Fadda’s Favourite Technique: His school was famous for using footlocks
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Oswaldo Fadda’s Association/Team: Academia FADDA

Oswaldo Fadda Biography

Oswaldo Fadda was born in Bento Ribeiro a City in the State of Rio de Janeiro on the 15th of January 1921.

Fadda started training in 1937 after he joined the Brazilian Marines. His training began with Luis França one of Mitsuyo Maeda’s students that earned his belt at the same time Carlos Gracie was taught Jiu Jitsu.

Oswaldo Fadda received his Black Belt from the hands of his instructor (França) in 1942 and soon started giving Jiu Jitsu classes in his home town on the outskirts of Rio de Janeiro. Always trying to promote the BJJ way of life through discipline and honour, he would often do demonstrations in public squares, beaches, favelas (slums), ouside churches and even circuses and church patios.

On the 27th of January 1950 Oswaldo was abble to finally open his very own academy fully dedicated to Jiu Jitsu, but he was always seen as an outcast by the Gracie’s who failed to see the potential of a BJJ team in the suburbs.

In 1951 Fadda issued a challenge to the Gracie Academy. He issued the contest through the Media stating in the Globo journal: “We wish to challenge the Gracies, we respect them like the formidable adversaries they are but we do not fear them. We have 20 pupils ready for the dispute.” Helio gracie accepted to have his students face Fadda’s.

The event took place in the Gracie Academy and Fadda’s team won, making better use of their footlock knowledge, something the Gracie’s lacked and frowned uppon ever since, calling it “suburban technique” (Tecnica de Suburbano). The highlight of the competition was when Fadda’s pupil “José Guimarães” choked Gracie’s “Leonidas” to sleep.

The event had good media coverage, which had a double effect. While the victories gave Oswaldo’s team notoriety (and more students) it also brought the interest of all the hardman of the nearby cities who would often come over to the academy to issue challenges to Fadda and his students. The occurence gained such proportions that Fadda decided to make a weekly event in which all challengers could compete against his students in a closed door environment. For many years, these fights took place and it is said that never did Jiu Jitsu lose a fight.

Oswaldo Fadda spent the rest of his days in his hometown of Bento Ribeiro, like the humble man he was, with his students and his family. With age he started suffering from Alzheimer’s desease struggling with the illness for years. He finally succumbed to bacterial pneumonia in April 2005, he was 84 years old.

BJJ vs. Luta Livre -- A History

FIGHT magazine continues with the BJJ vs. Luta Livre rivalry.

link:
http://www.fightmagazine.com/mma-magazine/mma-article.asp?aid=156&issid=13

September 2008 - Features - Donovan Craig

Old Wounds

The View From Ipanema

“This is close to where Rickson Gracie had the famous fi ght with Hugo Duarte,” Master Ricardo Murgel tells me as we jog along Ipanema beach after a morning workout. Murgel is that rarest of creatures, a Brazilian with a correct sense of punctuality. He meets me every morning at 8:00 sharp and we go running along the famous Ipanema beach. The fi ght Murgel is referring to took place when a young Rickson Gracie, golden child of the revered Gracie clan, was confronted at the beach by Hugo Duarte, a fi ghter from a competing discipline called Luta Livre. Gracie became incensed when Duarte said something disparaging about his family, so he slapped Duarte. After a fi ght lasting about eight minutes, Gracie mounted Duarte and beat him into submission. The fi ght was caught on tape by a tourist. It subsequently became very famous when the Gracies featured the footage in videos they used to market Jiu-Jitsu as a realistic fi ghting system.

Gracie’s beatdown of Duarte was one of the most famous battles in a war that took place in Brazil during the 80s and 90s between the practitioners of Brazilian Jiu-Jitsu and Luta Livre (free fi ghting). In gyms, on the street, on beaches, and ultimately in front of the whole nation in huge live events, the two sides engaged in a bitter rivalry that had social implications as well as fi stic ones. The traditional gi became a symbol of contention between the two camps. Jiu-Jitsu devotees who swore by the gi said it helped develop technique. Luta Livre fi ghters said that since people don’t walk around wearing gis, it was silly to train techniques that required them and the two sides often came to blows over the effectiveness of the traditional gi as a training tool. There was also a less obvious element to Luta Livre’s argument against the gi: a gi costs money to buy, and from the beginning Luta Livre was from the slums, for the poor people of Brazil.

The hills that surround the city of Rio de Janeiro are covered with these colorful shantytowns, or favelas. Although they are home to the some of the most destitute members of Brazilian society, when viewed from the beach they are not unsightly, with red roofs and stark white walls refl ecting the bright sun. Powerful gangs control the slums and run the drug trade in Rio. The biggest is called Red Command. Everyone in the city knows which slums are Red Command’s territory and therefore off limits to anyone without permission to enter. This includes the police.

While the wealthy residents of Rio never venture into the favelas, the same can’t be said of the reverse. A wave of poor and less fortunate citizens fl oods into the city every day. The lucky ones work at the city’s menial jobs, but many come to beg and commit crimes. Rio has one of the highest crime rates in the world, and the rich and the poor exist in close proximity. The unfortunates here seem different than those back home. In America, the very poor and homeless often have a glazed over, defeated look to them. In Rio, they are wide awake and their eyes are fi erce.

The Archimedes of Grappling

Later in the day I meet one of the founding fathers of Luta Livre, when Murgel accompanies me to meet Master Roberto Leitao. Leitao has trained many prominent mixed martial artists, including Babalu Sobral, Pedro Rizzo and Marco Ruas. He is sought out for his expertise in grappling by fi ghters all over the world . Leitao, a well-preserved 71, is teaching his class above a gym in a fashionable section of Rio. As we enter, two huge heavyweights are tossing around a 120-pound slam dummy like a pillow.

Leitao is stately, and seems gentlemanly even stripped to the waist and clad in wrestling tights. He speaks English, with the fl air and elocution of a man familiar with the tenets of classical oratory. “Luta Livre is the oldest sport known to man. It began in prehistoric times because man used to fi ght to survive,” he begins with panache. “Man has always had to fi ght to survive.” He gestures with his hand in a fl ourish worthy of Cicero. He is a born showman. He tells me about the development of MMA in Brazil and his version is different form the one I’ve heard from the Jiu Jitsu Grandmaster’s I’ve spoken to.

“There are two paths for MMA in Brazil. One starts with the Jiu-Jitsu people who learned from Count Koma in the north of Brazil. He taught Carlos Gracie, George Gracie, and Gastao Gracie.” I notice he doesn’t mention Helio, who is regarded as the patron saint of BJJ by most people. “But you know, Koma was a Judo teacher…” he says slyly. I sense that this is some sort of dig. “They learned Judo from him, but since Judo is basically takedowns and they liked to fi ght on the ground, they called it Brazilian Jiu-Jitsu.” I notice out of the corner of my eye that Murgel, a grizzled BJJ veteran, looks like he wants to say something but doesn’t.

“In the other version, you have people who came from pro wrestling,“ Leitao continues in his most pedantic tone. Looking at the bare-chested, silverhaired old fox as he lectures, I think that this is what Socrates might have looked like. “When most people in America hear the term professional wrestling, they think fake.” I say.

“Well the pro wrestling guys are artists. It’s a show. But Luta Livre isn’t a show at all. It’s a real fi ght. You have to submit the guy by a choke or arm bar. There is no punching, it’s very technical. If you put punches with Luta Livre, it becomes MMA.” One of Leitao’s best students, MMA legend Marco Ruas, was one of the fi rst fi ghters in MMA to incorporate Muay Thai and striking with his grappling expertise. It was a revolutionary concept for it’s time and he was a prototype for today’s balanced mixed martial artist.

“Why don’t more people do Luta Livre?” Murgel asks Leitao pointedly.

“The problem is that for a true sport to develop, you must have teachers who are able to make a living teaching it. And it used to be that many guys started doing Luta Livre but they didn’t earn money teaching, and that’s a big problem. Judo and Jiu-Jitsu developed because they had many teachers living off teaching Judo or Jiu-Jitsu.” Leitao answers with a scowl. “And why is that?” Murgel presses.

“Because when Gracie started Jiu-Jitsu, he was selective in whom he trained so in the beginning Jiu-Jitsu people had more power and money. Back then, Luta Livre had no money or power, it was for the poor people,” he says, his delivery denoting a trace of hostility long buried.

Leitao contends that it was the greater fi nancial and organizational resources of the Jiu-Jitsu people, as he calls them, which caused it to be more widespread and well known than his own Luta Livre. Despite this, he thinks that Luta Livre, which he helped create, is the superior martial art. “ I studied biomechanics for thirty years” he says.

I notice that Murgel’s attention has drifted and he leaves us to go watch the two behemoths train. And to speak to Pedro Rizzo who has just walked in for his daily training. When I ask Master Leitao about BJJ and modern MMA, he tells me something that would be considered blasphemy by many people in Rio.

“Gracie was stubborn,” he says, referring to Helio Gracie, the great architect of BJJ and patriarch of the Gracie family. ”He believed that leverage was enough, but he was wrong.” Leitao offers as evidence how well wrestling, which he says is identical to Luta Livre, did against Jiu-Jitsu fi ghters in the early days of MMA once they had adapted.

He tells me that he has recently completed a book about Luta Livre. It has taken him thirty years to complete and represents his life’s work. “I have taken the principles of Archimedes and Newton and applied them to Luta Livre.” He says proudly.

CARRYING THE FLAG

“In the old days, Jiu-Jitsu and Luta Livre hated each other. You did Jiu-Jitsu or you did Luta Livre, and it was like carrying the fl ag for your country.”

I have just met Walid Ismail, one of the Late Carlson Gracie’s best students and one of the main soldiers in old BJJ/Luta Livre wars. A short stocky man with a bald head and caulifl ower ears that jut off his head at odd angles, he reminds me of a faithful pit bull. This is a good man to call your friend and a dreadful one to be your enemy. He is beloved in Brazil for his dedication to BJJ and his master the late Carlson Gracie, and for his habit of always speaking from the heart. Standing next to him I feel like Walid is going to bite my head off.

“[To prove Jiu-Jitsu] we had many fi ghts in the street!” He is so excited telling me about the old days that he becomes sidetracked, losing his train of thought. “What was your question again?” he asks. “About Luta Livre,” I say to him, and he looks at me confused. Murgel jumps in to gently guide him. “This was the man who won a famous challenge match between Luta Livre and Jiu-Jitsu.” He says. “Yes!” Walid says, suddenly remembering. He then announces triumphantly, “I was the one who challenged Luta Livre!”

As a young man, the hot-blooded Walid became incensed when a Luta Livre fi ghter named Eugenio Tadeu beat a BJJ fi ghter named Renan Pitanguy. “This is one of the few times this happened,” he assures me. To add insult to injury, Tadeu won the fi ght by holding onto the jacket of Petanguy’s gi, the symbol of BJJ’s power and infl uence, with one hand and beating him with the other until Petanguy’s corner threw in the towel. Walid, who was a young purple belt at the time, swore revenge. He says Carlson Gracie cooled him down, telling him he was too inexperienced to fi ght the older Luta Livre fi ghter. A few years later, Tadeu had another high-profi le match, against Royler Gracie, that ended in a draw. In that fi ght, Royler didn’t wear a gi. He instead fought in tights like the Luta Livre fi ghter. It was a moral victory for the underdog Luta Livre style.

“I said, ‘This cannot happen,’” Walid growls. “Luta Livre was growing a lot at the time and Jiu- Jitsu was starting to lose its stake in the market,” he admits frankly. In the early days, many of Jiu-Jitsu’s challenge matches were held in order to protect the economic turf of the Jiu-Jitsu schools that were springing up around the country.

“I started training, and when I felt good, I went to the paper and I challenged them.” The move was a gutsy one by Walid who was by this time, a brown belt under Carlson Gracie. Surrounded by media hype, the fi ght became huge. Called Desafi o, it was shown on network television in Brazil and three BJJ fi ghters were matched against three Luta Livre fi ghters. The main event was Walid vs. Tadeu. Walid fought without a gi and dominated Tadeu. “Before the second round,” he recalls “ I took out my mouthpiece and threw it to the crowd and they went crazy.” He re-enacts tossing something into the bleachers and whipping the crowd into a frenzy, reliving the moment in his mind.

The fi ght ended in the second round when Walid threw Tadeu out of the ring. The Luta Livre fi ghter stayed on the fl oor and was counted out, giving Walid the victory.

Afterwards, Tadeu contended that the huge crowd of BJJ supporters that gathered around him when he was hurled to the fl oor prevented him from reentering the ring. Walid and the BJJ supporters say that it was because Tadeu was either injured or too frightened to return to the ring and face the wild man Walid. The video of the fi ght is inconclusive.

That fi ght made Walid a star in Brazil, and he speaks about it like a war veteran who long ago turned the tide of a battle. In a way, maybe he did. On that night, all three Jiu-Jitsu fi ghters defeated their Luta Livre opponents.

The rivalry between BJJ and Luta Livre reached its climax six years after Walid’s victory at Desafi o. This time it would be Renzo Gracie vs. Tadeu. Many Luta Livre supporters were in the crowd at the event, and several hundred of them gathered around the cage, pressing against it during the fi ght. Several minutes into the match, which until that point had been even, the lights inexplicably went out in the arena. Chaos ensued as the BJJ supporters and Luta Livre people saw their chance to get at each other. Fights broke out, chairs were thrown, and shots were even fi red into the air. When the lights came back on, there was a near riot, and the police had to be called in to restore order.

After the Sept. 27, 1997 fi asco, Rio’s mayor banned live Vale Tudo events in the city. Things had gotten out of control between the two camps, and in a country like Brazil, where social inequality abounds and the tacit threat of unrest and violence is always simmering beneath the surface, that could not be allowed to happen.

“Thank God we have rules today,” Walid says, referring to the old “anything goes” days of Vale Tudo in Brazil.

He has mellowed as he has grown older, and even considers some of the Luta Livre guys his friends. A rising tide lifts all boats, and the success of MMA in the United States and the fi nancial opportunity it has created makes it more profi table for them to be at peace. Today, Walid is a successful promoter, putting on events and even working with some of his old enemies.

“Before, it was crazy. We saw the Luta Livre guys on the street, and we would want to fi ght. There were weekly street fi ghts. This is the old view - today this view doesn’t exist because everybody trains together, everybody is friends.” Walid is trying his best to end on a friendly note, but even when he smiles he looks like he wants to kick my ass.

FIGHTING TO LIVE NOT LIVING TO FIGHT

It is undeniable that the victor in the BJJ/Luta Livre war was Brazilian Jiu-Jitsu. In the major competitions between the two styles, BJJ won all but two of the matches. BJJ and the Gracie family continue to thrive. It is said only half in jest that you can fi nd a Jiu-Jitsu gym on every block in Rio. The few schools that once taught Luta Livre were closed due to a lack of students. When they closed, many of more prominent Jiu-Jitsu teams picked up the fi ghters that began in Luta Livre.

Today the money isn’t in martial arts schools. Now the money is in the actual fi ghting and promoting, and the once elitist and aristocratic BJJ teams have shown themselves more and more willing to recruit from the Luta Livre talent pool.

A select few Luta Livre fi ghters who were left without a home when the original schools closed formed RFT or Renovacao Fight Team, headed by one of Eugenio Tadeu’s students, Marcio “Cromado” Barbosa. Watching them train in their cramped gym, I am impressed by the athleticism and showmanship of the fi ghters. Cromado holds the pads for several of them working in a row. He has them fi nish each combination with a showy jumping knee. How effective the dramatic maneuver is, I don’t know. But I am sure it is a crowd pleaser.

I speak to several of the fi ghters as my friend Master Murgel acts an interpreter, Leonardo Nasciment, who goes by the nickname Chocolate, tells me that when they started the team the idea was to go slow, step-by-step, but it skyrocketed. Today, the RFT fi ghters get invitations to fi ght all over the world. Chocolate has made some waves in Europe where he recently won the Cage Rage Championships.

“The fi rst reason for the success is our excellent coach and the commitment of the athletes. We all have one thing in common; we want a better life,” he says, referring to the team’s commitment to escape poverty and help their families do so as well. “We want to get out of the country to fi ght in one with a strong currency so that we have money to send back to help our families,” he says.

Luciano Azevedo tells me that his involvement in Luta Livre and MMA has saved him. “Many of my friends went to the wrong side of life with gangs and drugs, so I thank God that MMA has given me the opportunities to go to the right side, and also support my family by doing what I love as a living.”

A fi ghter called Chatuba echoes this, and tells me that many of his friends that he grew up with have been killed, gotten arrested, or caught up in the gang lifestyle. “Would you have ended up that way if it was not for Luta Livre?” I ask.

“Most likely,” he says. “Being a fi ghter is a less stressful lifestyle than the other,” he answers pragmatically. “It’s less risky.” They all say that their Coach Marcio Cromado is the driving force behind the team and the man most responsible for its success.

“Cromado is the man. He takes care of everything for us.” Says Chocolate. He says that in the old days the Jiu-Jitsu fi ghters had better organization and management and this freed up their attention to concentrate solely on fi ghting. Luta Livre never had that until Cromado.

For his part, Cromado, a man who looks a good deal younger than his 35 years, with a kind face and happy eyes, is proud to be carrying the tradition of Luta Livre and of his teacher Eugenio Tadeu into the future. He tells me that he started fi ghting in 2000, and created RFT as a ‘dream’ six years ago. The team’s record is not fantastic, and most of the fi ghters have many losses on their record. This isn’t how they judge success, however. To them, it is a victory just to be able to have the chance to earn a living fi ghting. “Others live to fi ght, we fi ght to live,” was the way Luis put it.

It is easy to believe that Jiu-Jitsu crushed Luta Livre in the great rivalry. In its aftermath, the few major Luta Livre schools closed, and Brazilian Jiu- Jitsu schools sprouted up everywhere. The fi nal tally of the hundreds of street battles that took place is unknown, but in the public events, BJJ dominated. In the vast majority of the times they faced BJJ fi ghters the ones from Luta Livre were resoundingly defeated.

But the story doesn’t end there. The early Vale Tudo contests in Brazil were an integral, if brutal, part of the huge modern phenomenon of mixed martial arts. And, no one, not even the Gracies, continues to fi ght in the gi in MMA matches. All across the world, “no gi” Jiu-Jitsu is taught which is very similar, some would say identical, to Luta Livre. So Luta Livre was at least victorious when it came to the issue of the gi. But if you ask Master Cromado and his boys at RFT they will tell you that it was never really about the gi.

FIGHT magazine series Part 1 on History of BJJ

FIGHT magazine had a great series on the History of Gracie Jiu-Jitsu and interviews with the early generation such as Joao Alberto Barreto. Pick up an issue. It's pretty good.

link:
http://www.fightmagazine.com/mma-magazine/mma-article.asp?aid=140&issid=12



August 2008 - Features - Donovan Craig

Brazil Part 1 - Great Masters

On June 7th 1494, at the Treaty of Tordesillas, in an act of monumental hubris the nations of Spain and Portugal divided up the known world outside of Europe. Spain got everything west of the Cape Verde Islands and Portugal got everything that lay east, including what would become the nation of Brazil. This is why, although Spanish is spoken in the rest of Central and South America in Brazil they speak Portuguese.

Brazil’s population is composed of the descendants of European settlers, African slaves, and the indigenous Amerindians. With a land mass as large as the continental US, abundant natural resources and a population of almost 200 million, Brazil has always been a nation brimming with unmet potential and possibility. However in the minds of MMA fans the country will forever be linked with the fi ghting style known as BJJ or Brazilian Jiu Jitsu. The style came out of nowhere in the early 1990’s when Royce Gracie used it to smother, trip and choke his way into history during the fi rst 3 UFC’s.

My own introduction to BJJ came from a great master of the art, Ricardo Murgel. I met him over a year ago after he relocated to Atlanta and I was lucky enough to be able to train with him. Murgel’s resume reveals that he is a 7th level master of BJJ as well as a Judo Black Belt with over 50 years of experience in martial arts. He has coached fi ghters to championship levels at events such as the Abu Dhabi Championships and in the UFC and Pride. His understanding of fi ghting and fi ghters is encyclopedic and he knows everyone in the business. He is an invaluable resource to me as well as a close friend. Murgel can be a little rough around the edges but is also incredibly intelligent and wise. Imagine a Mr. Miyagi from the Karate Kid who curses or a Yoda who likes to drink beer; that is Master Murgel. He has often told me that if I really wanted to understand MMA I needed to go to Brazil, the source. I needed to meet the people who invented it, not in 1993 or with the UFC but sixty years ago in South America.

Murgel is treated like a returning monarch. His students carry our bags, drive us around and see to our every need. We have arrived in Porto Alegre, Murgel’s hometown. He is holding a seminar on Jiu Jitsu. Several newspapers are covering it and well over 120 people are attending. Before he left Brazil, Murgel would review his students in formation, the black belts lining up in front followed by the brown and purple belts on down to the blues and whites. When we enter the room they are waiting in formation to greet him, just like old times. As they catch sight of him they start shouting, “Union, Union, Union!” pumping their fi sts in the air. It is a powerful moment, like watching Leonidas review his 300 Spartans. This is my fi rst hint of the incredible veneration a master of BJJ receives in his home country. As soon as the seminar ends Murgel is hounded for autographs and pictures, like a movie star. People even want to get their picture taken with me, because I know him.

“If anyone can tell you the true story of Vale Tudo it will be Grandmaster Joao Alberto Barreto and his brother Alvaro. They were there since the beginning,” Master Murgel tells me as we arrive in Rio. The Brothers are Grandmasters in the 9th level of BJJ. The 10th level is reserved for the founders of the art; Carlos and Helio Gracie and their brothers. Helio is the only one still living and he is 95 years old. When he’s gone there will never be another 10th level. Remembering with what reverence Murgel, a 7th level, had been treated in Porto Alegre I realize that meeting the Barretos one on one is a rare honor.

THE PHILOSOPHER

We arrive at a gym right off Copacabana Avenue. The equipment looks old but pristine. The place is well used but immaculate. “This is amazing,” Murgel tells me, “I trained here 40 years ago.” Soon Grandmaster Alvaro arrives. He is a tall man with dark hair and a regal bearing. He moves slowly with the small, sure gestures of a man of high culture and his voice is soothing. He has a cerebral, academic air about him and is in fact, like his brother Joao Alberto, an accomplished university professor. Here is a man who is highly educated, wealthy, professionally accomplished and who could kill me in about three seconds if the urge took him. But only peace and kindness fl ow from Grandmaster Alvaro.

He and Murgel laugh and reminisce about old times in Portuguese and soon he takes us into a mat room where we sit in a circle on the fl oor. As I sit next to him I realize that his limbs are long for his height. Although he speaks a little English we fi nd that it is easiest to use Murgel as an interpreter. I ask him about the early days of BJJ and he mentions how back then the Gracies taught only the elite of Brazilian society, CEOs, government ministers etc. When they opened the 2nd Gracie Academy it was a highly polished operation with only private classes and huge industrial washers and dryers which ensured that the students always had a clean, pressed Gi ready for training.

“And it was as expensive as Hell!” Murgel exclaims, saying that when he was a boy he had asked to attend the Gracie Academy and his father, a successful Rio Dentist, had refused, explaining that the dues would be equivalent to 17% of his monthly income. In those days BJJ was for the richest members of the society, the most elite.

Later, Alvaro offers to walk with us part of the way home. On the way we stop by an exclusive club on the beach full of rich men with cigars and servants in tuxedos, reinforcing in my mind how the BJJ practitioners of Barreto’s generation were from a very different strata of society than most US fi ghters. Murgel is impressed. “I’ve never been in here,” he says wide-eyed. Alvaro has been a member for many years. He takes us to a balcony overlooking the sea. As the waves beat against the sand in the moonlight I discover that Alvaro can speak English well when he chooses to.

“You must understand that Jiu Jitsu is really four things. One: it is a philosophy that can be summed up by the statement ‘give to win’. For example if you make strength with your arms then you give a point of leverage for your opponent to use against you. If you stay loose then you deprive your opponent of that so by appearing to be weak you gain strength.”

“Sun Tzu,” Murgel points out. “Exactly. Secondly it is a system of teaching. It gives access to proper rules of human behavior, self respect, honor, discipline, courage and so on. Third it is a therapy.”

I ask him how this is so and he says, “If man is too aggressive, it will calm him. Is he is too weak or passive? It will make him stronger. And fi nally it is a fi ghting system. Today in MMA people only concentrate on the last and ignore the fi rst three.” As we walk out of the club I ask him one last question, “What is the essence of Jiu Jitsu?”

He thinks for a moment, “Jiu Jitsu is not an end. It is a tool for creating a better life.” He pauses again and then says thoughtfully “ It is like my North.” As Murgel and I walk back to the hotel I feel lucky have been able to speak on a personal level with such a man.

THE LION

“You can’t believe how good this man was,” Murgel confi des to me as we ring the bell at the apartment of the great Joao Alberto Barreto. “He fi ghts every Monday for a year and beats every opponent, all by knock-out or submission.” In one of Joao’s last fi ghts his opponent refused to tap so he broke his arm. The compound fracture on live Brazilian TV was so shocking that it very likely played a role in the cancellation of the program soon after. “He was like the Fedor of his day,” Murgel says, “even better.”

Grandmaster Joao answers the door. Although 72 he still is an imposing fi gure, with even longer arms and legs than his brother, a deep chest and a large head. He ushers us into his apartment. He has excellent old world taste, lots of antiques, oil paintings and sculpture. The furnishings are expensive but not ostentatious. As we all take our seats in the den his body language is stiff and I can tell he is a little uncomfortable with me being here. Murgel had mentioned that he couldn’t remember an instance of Joao Alberto ever receiving a journalist into his home and now he has an American reporter in his antique armchair! I begin to sweat under his serene but intense glare. His brother makes you feel at ease, this man makes you feel his power. He begins to speak in a deep stentorian voice.

“When I was 15 I was a body builder and student at the military academy. At this time Helio Gracie was challenged by a fi ghter named Caribe. My father was the head of the Deaf and Dumb Academy and the Gracies wanted to use the facility’s gym. My father allowed them to do this and after Helio defeated the guy very easily and I was presented by my father to Helio and his brother Carlos they said, ‘Wow this boy is big!’ They invited me the next Monday to the Gracie Academy… They tested me by having me fi ght another boy who had more experience and I beat him.”

The Gracies were so impressed with the athletic gifts of the young Joao that they soon put an add in the newspaper that said, “In three months we challenge any amateur fi ghter in Rio to fi ght this boy because we are manufacturing champions at the Gracie Academy.” I notice that he’s beginning to loosen up.

“I always had a talent for fi ghting but I wasn’t a pit bull fi ghter I was a very technical fi ghter. I was like a skyrocket,” he reminisces fondly. He begins telling us about his amazing run on the Vale Tudo TV show; Heroes of the Ring.

“Every Monday, Jiu Jitsu fi ghters were matched against fi ghters from other martial arts styles. The rules were very simple. You could not gouge the eyes, fi sh hook or hit in the groin.” I remark that this seems like an early version of MMA and he agrees. Though in those days it was called Vale Tudo meaning anything goes.

“Every Monday I would fi ght and every Tuesday they would pay me,” he says slapping the palm of his hand and smiling. It was during this period that he had his amazing 40-0 run. I tell him that for a survivor of so many fi ghts he is remarkably unmarked, at which point he insists I feel his ear, now completely brittle and calcifi ed.

I ask him about the famous feud between the Gracie family and the villainously named Waldemar Santana:

“Waldemar Santana was an employee of the Gracie Academy and a student. He used to take care of the rest rooms,” Joao Alberto sneered. “I taught him many times. He had a problem with Helio and Helio kicked him out of the Academy for fi ghting without [his] permission.”

In retaliation Waldemar, a black belt, challenged Helio. They had one of the longest fi ghts in history at 3 hours and 40 minutes. Finally an exhausted Helio was beaten by the much younger and larger Santana who dishonored the Gracie family by throwing Helio to the mat and kicking him in the face, knocking him out. As Alberto tells the story, Murgel is on the edge of his seat the drama of the moment still fresh in his memory after 50 years.

The loss had to be avenged so the Gracies challenged Santana again. This time he would go up against Helio’s nephew Carlson Gracie.

Waldemar and Carlson fought two matches. The fi rst was a Jiu Jitsu match which went to a time limit draw. Joao Alberto believes that this was a tactic on the part of the Gracies to scout Santana because after that match Carlson challenged him to a Vale Tudo match where Carlson, now being familiar with his opponent, destroyed Waldemar,

“Let me ask you something that I have always wondered about,” Murgel says. “Why did the Gracies choose Carlson to fi ght [the rematch] instead of you who was the bigger fi ghter with more experience and the better one in my opinion?” “Waldemar [was asked] to choose between Carlson and I and he chose Carlson.” Murgel’s eyes widen in amazement. “This is the fi rst time in 53 years that I have ever heard this.”

Joao Alberto clams up for a moment (the Gracies and their students are famously tight lipped about their inner workings.) “When I used to train with Waldemar I had an easier time of it than when Carlson trained with him.”

“I would have done the same thing Waldemar did,” Murgel exclaims.

There is a knock on the door and Joao’s brother Alvaro, who we met yesterday, walks in. He has brought his Gi and the two men who have not been photographed together for many years agree to pose wearing the solid red belts that identify them as 9th level Grandmasters. Looking at the belts I realize that there are less than 10 of these in the world.

THE IDOL

When I returned to the hotel the Concierge hands me a message. It reads, “Sr. R. Gracie. Pl. Call Back.”

“Wow, Rickson Gracie!” I think. Rickson, the most famous of all of the Gracies is the current champion of the family, taking up the mantle laid down by his father and Carlson Gracie, his uncle. Unlike them both, Rickson has never been defeated. His record is 11 and 0 in MMA matches. Legend has it that he has been in over 400 street fi ghts, Jiu Jitsu and Vale Tudo matches in his life without ever tasting defeat. Rickson is notoriously reclusive and I am surprised when he agrees to meet me the next day at a small café in my hotel.

He looks a little older than I expect but he is still very handsome and there’s an unmistakable aura about him. A lot of people doubt the credibility of Rickson’s self proclaimed 400 and 0 record but sitting across from him I think, “It could be true.” We start by talking about the famous Gracie challenge.

“In Brazil people are not inclined to accept something until you prove it,” he says.

“We have always had the Gracie challenge, not to be bullies or the toughest guys in town but because, to sell our beliefs we had to be willing to confront anyone who disbelieved what we had to sell. And what we sell is effectiveness, effectiveness in fi ghting. The challenge was made to prove the point that we were willing to confront other styles and over the last 50 years or so in 95 percent of the cases we have been successful.”

When I mention that after talking to the Barreto brothers I realize that the early UFC’s were the offshoots of his father’s Vale Tudo in the 1950’s he agrees saying, “In the beginning the UFC was just a platform to show the dominance of Gracie Jiu Jitsu against other styles.”

I ask him if he thinks, at least as far as the UFC is concerned, that Jiu Jitsu has been a victim its own success (i.e. so effective that everybody went out and learned it thereby negating its advantages). He doesn’t answer the question directly, but instead he mentions that the rules were changed by the UFC to make the fi ghts more competitive, he believes at the expense of Jiu Jitsu.

“Standing the fi ghters up, gloves, reducing the time limits, all these little aspects make style a secondary component to the individual. How fast you are, how aggressive, how explosive… It is very hard for a fi ght to be decided in the fi rst 3 or 5 minutes, a major aspect of Jiu Jitsu is defense, defense, defense and then capitalizing on a mistake your opponent makes… When my dad fought he was 130 pounds. He would survive until he caught the guy in a mistake. How can you do this if there isn’t enough time?” He brings up his brother Royce in his fi ght against Dan Severn at UFC III, “Up until the moment Severn tapped out everybody thought he was beating Royce.”

I ask him if he was surprised when Royce was recently defeated in devastating fashion by American wrestler Matt Hughes.

“I was surprised because I didn’t recognize my brother. I don’t know if it was his training or mental stress or whatever but he didn’t look like himself. He made some very basic mistakes.” He leaves it at that.

Many people saw that fi ght as a defeat for Jiu Jitsu. I ask him if he worries that were he ever to be defeated it would be seen as discrediting the discipline. He strongly disagrees, “I am basically at the end of my fi ghting career. If I am lucky and they pay me what I want then I might have one more fi ght or I may just retire… But every time I compete I put everything at risk and if I were to lose, it would be because I made a human mistake or maybe got too old… It would be me being defeated not Jiu Jitsu. Jiu Jitsu has already been proved. Today on a certain level everybody fi ghting in MMA is a Jiu Jitsu fi ghter”

What really motivates him now is promoting Jiu Jitsu as a sport and as a way to improve people’s lives. “Boxing is a fi ghting art, Karate is a fi ghting art. Jiu Jitsu is a guide, a philosophy, a social movement.” Rickson’s speech becomes passionate. “I am in the business of building character not of making fi ghters. I pay the same attention to the shy guy who is getting bullied as I do to the guy who wants to be a fi ghter. I will make that guy more confi dent and help him regain his self esteem. This is the priceless aspect of Jiu Jitsu, this is the treasure… If someone says that I am just a great fi ghter I feel like my legs have been cut off,” he tells me, “What I want to be is a great Master.”

As I say goodbye to Rickson I realize that while I have always thought of him as a famous fi ghter he is really a teacher, and a salesman. Joao Alberto, Alvaro and now Rickson are all selling the idea of the complete man. They are walking billboards for what Jiu Jitsu can do: Impressive and complete individuals; intelligent, striking, successful and deadly in combat. The Gracie Challenge, Heroes of the ring and Vale Tudo, Rickson’s matches and even the original UFC are advertisements for a worldview, infomercials for a mindset.

For these three impressive men it is the promulgation of the art of Jiu Jitsu as a fi ghting system and as a way to live your life that is most important. What Royce and Rorion Gracie did in the fi rst UFC’s was just an extension of what Helio and Joao Alberto had done in the 50’s and 60’s, to conclusively demonstrate Jiu Jitsu as a fi ghting art. The inference being a quintessentially Brazilian one; If Jiu Jitsu makes you invincible in a fi ght it can also make you invincible in life, the victorious fi ghter as metaphor for the victorious man. If I hadn’t met them in person I would be skeptical. But there’s something about being in this fi erce and beautiful country that makes it easier to believe in supermen.

Fadda Jiu-Jitsu

The Gracies are well-known for their style of Judo-derived martial arts but whatever about other lineages?

link:
http://bjjlegends.com/bjj/bjj-news/jiujitsu-mma-news/item/414-go-deeper-than-gracies-a-history-you-may-not-know-of-bjj.html

Go Deeper than Gracies, A History You May Not Know of BJJ


Master Fadda Master Fadda

Oswaldo Fadda who was in the brazilian jiu jitsu for more than 20 years, is perhaps, the only practicioner who never received any instruction from any Gracie or any of their students. He learned while he was servicing the brazilian marines, from Master Franca Filho, who was a pupil of the famous Master Conde Koma who also tought to Carlos gracie senior.

Starting in 1937, and 5 years later, Oswaldo Fadda was promoted to a black belt, passing, since then, started teaching a group of friends in the suburb of bento ribeiro(rio de janeiro), where he end up opening his first school (now the main academy). This academy continues to operate today. Fadda has been quoted as saying: "I want to make it clear with my own worlds that I have no intention to diminish in anything from the gracies. I refer only in the "myth" saying that them and your students were invincible."

The conversation was interropted by professor "Chandu", who passed to the hands of master fadda the registered book. Chandu was Master Fadda`s first student and he was part of the group of friends who received the first lesson in 1942. Now days he is responsible to teach in the main academy at 1191 Sao Joao Vicente street, and at an affiliated school in Cascadura. This academy is run by professor Humberto Fadda, Master Fadda`s brother.

In 1954 Master Fadda brought his team to compete in the Gracie Academy. It was the first time that a brazilian jiu jitsu school showed such boldness to challenge the Gracies. The competition level of Fadda's students obligated Master Helio Gracie to make a public compliment. He said that he was very surprized with the technical level from Fadda`s academy and Master Helio Gracie congratulated them. It was proved that brazilian jiu jitsu was not exclusivity of the Gracies. Faddas`s student Jose Guimaraes chocked out a student from the Gracie Academy called Leonidas.

More than two thousand students passed by Fadda`s academy. The qualify to sign up for classe was to have never trained before. Master Fadda explains saying :

"I do have a proper method and I prefer to teach to the ones who does not know any more or technique. To me, a lot of things that you see around are not thought properly,are vicious and which makes it difficult for me as a instructor to desenvolve my job. I understand that is much easier to teach the one who does not know anything than the one who has a lot of bad habits and deffects on his technique so I had to fix and than apply the methods of fadda`s academy. We always act like that so we dot have any regrets. Today iI have a lot of former students in a lot bjj schools around the city. Instead of receive students from other, we supply."

Now days master Oswaldo Fadda gives a special care to students with physical disabilities and the ones physically impaired. His mission is to recuperate students is a proven fact and can be attested without need to mention other names with performances or "Torpeddo"(does not posses both legs) and "Aranha"(nick mane wich means spider) wich the inferior members(legs) were completely arthrophied, both of them known by the public.

In this area of BJJ Master Fadda has done true miracles - For paralysis the remedie is Brazilian Jiu Jitsu and he can prove for A plus B equals C. A example of this is a sudent called Ivan Ferraz, a young man with a very low self steam. He get to the academy so weak that he could not hold a 100 grams dumbell. After few training under the master for a while now days he can fight equally with anybody on his weight class.

Obs: this interview is a translation from a copy of the sports magazine from 1954. source: www.deojiujitsu.com.br